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Abigail's Party was performed on 3rd-5th March in The Gallery at The Storey, Lancaster.

Cast & Crew

Director: Máire Robinson
Assistant Director: Anna-Rose van der Wiel
Producer: Jason Naylor
Assistant Producers: Charlotte Maddocks
Stage Manager: Danni Manning
Assistant Stage Manager: Abigail Dutton

Beverly: Charlotte Davey
Laurence: Jordan Summerfield
Angela: Natalie Fisher
Tony: James Boné
Sue: Ffion King
Beverly invites her new neighbours, Angela and Tony, who moved into the road just two weeks ago, over for drinks. She has also invited her neighbour Sue, divorced for three years, whose fifteen-year-old daughter Abigail is holding a party at home. Beverly's husband Laurence comes home late from work, just before the guests arrive. The gathering starts off in a stiff, insensitive, British middle class way as the virtual strangers tentatively gather, until Beverly and Laurence start sniping at each other. As Beverly serves more drinks and the alcohol takes effect, Beverly flirts more and more overtly with Tony, as Laurence sits impotently by. Within this simple framework, all of the obsessions, prejudices, fears and petty competitiveness of the protagonists are ruthlessly exposed.

"Now, who's for another drink?"
- Beverly
Picture

Rehearsal Process

Performances

Picture

Review by Maëlle Vanrell

I have been writing reviews for theatrical pieces for a couple of months now, and I have had the pleasure of attending professional plays by official companies. Attending Abigail’s Party was the first opportunity I have had up until now to view a LUTG show. I must say, before anything, that Abigail’s Party is a very funny play: it was ideal for students who want to sit and have a laugh for a couple of hours and forget about the stressful last weeks of term.
I did a bit of research in order to have a better idea of what I should expect from the play, and I learned that Abigail’s Party was an actual 1977 theatrical show written by Mike Leigh. The student­ run interpretation of it seemed to me like a perfect approach, especially from our XXI Century. I particularly enjoyed how they set the whole scene: the decorations, the lights, the character’s clothing and the overall old school ambience they achieved.
The story, which is starred by two couples and a divorced mother, whose teenage daughter (Abigail) was hosting a party in her house. The middle aged couples decide to reassure the mother in a very peculiar and yet useful method: getting her drunk. A series of funny conversations emerge during the play, accompanied by endless gin and tonics, old fashioned records playing in the background, neverending cigarette smoking, and an evident tension within the group…
We can see how hard they try to behave as sophisticated as possible to impress each other. It is obvious in many cases that these two couples are not really content with their marriages, to the point that we see how Beverly (the main character, and in my opinion, the best performance) flirting with Tony (Angela’s husband) as soon as the alcohol makes an effect on the group.
In my opinion, the funniest part of the play was how the worried mother, Sue, ends up completely drunk in the attempt to relax and not stress too much about her daughter’s party, having heard all kind of things that could be happening there… The actor really did a great impersonation. Generally, every actor seemed to be totally comfortable with their roles. They understood the character they were representing very well, it was very convincing. Overall, it was very easy to evade from our times and imagine that we were all enjoying the little gathering.
However, there are a few things I would like to mention. During the play, I was somehow trying to find the ultimate point or moral of the story, and I felt like there was no clear intention or story to follow. The show lasted for over two hours and we were not noticed about the interlude (so it seemed as though the play was over), but which made me hope that the plot of the story would be developed in the second part. Nevertheless, it all followed in a very linear, stable way, in which we are witnessing some people arguing and drinking, but not solving any problems or working towards any goals.
This only made the play seemed to last forever at some point, but hearing the audience laughing out loud and clapping every now and then showed me that there was something more to it than just a group of people having a good time. What I think played an important role in the success of this play was the audience who was there to encourage their actor friends. I am sure the Theatre Group delivered a great fun time for them as much as they did for the rest of us, and I am looking forward to attend another play in the near future. The Lancaster Theatre Group has given me a great first impression!
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  • Home
  • About
    • ANNOUNCEMENTS
    • MEMBERSHIP
    • MEET THE EXEC
  • SHOWS
  • ARCHIVE
    • SHOW ARCHIVE >
      • 2015/16 >
        • JUMPERS FOR GOALPOSTS
        • TOP GIRLS
        • THE GUT GIRLS
        • THE SHADOW BOX
        • CALLBACK
        • BLOOD BROTHERS
        • ONE MAN, TWO GUVNORS
        • ABIGAIL'S PARTY
        • THE ELEPHANT MAN
        • MY MOTHER SAID I NEVER SHOULD
        • MUCH ADO ABOUT NOTHING
        • ACCIDENTAL DEATH OF AN ANARCHIST
      • 2016/17 >
        • HOUSE WITH A RED DOOR
        • HIS FRIEND ED
        • PARADE
        • BLITHE SPIRIT
        • 1984
        • INCOGNITO
        • THE GLASS HOUSE
        • THE CRUCIBLE
        • SAUCY JACK AND THE SPACE VIXENS
        • PROOF
        • AND THEN THERE WERE NONE
        • THE DIARY OF ANNE FRANK
      • 2017/18 >
        • CHATROOM
        • THE HISTORY BOYS
        • ARCADIA
        • MACBETH
        • DIOGENES IN A JAR
        • SPRING AWAKENING
        • HERE
        • STATION
        • TWO
        • DUNSINANE
        • HOUND OF THE BASKERVILLES
        • THE 39 STEPS
      • 2018/19 >
        • LOVE FROM A STRANGER
        • JEKYLL & HYDE: THE MUSICAL
        • STOP!... THE PLAY
        • THE TEMPEST
        • CLICK
        • AN IDEAL HUSBAND
        • BREAKFAST AT TIFFANY'S
        • DINNER
        • GAMES AND AFTER LIVERPOOL
        • TWELFTH NIGHT
        • METAMORPHOSIS
      • 2019/20 >
        • KATHERINE HOWARD
        • THINGS I KNOW TO BE TRUE
        • FRANKENSTEIN
        • LEAR
        • DEALER'S CHOICE
        • THE WIND IN THE WILLOWS
        • HEDDA GABLER
      • 2021/22 >
        • THE GRAVEYARD SHIFT
        • PERFORMANCE SHOWCASE
        • WOYZECK
        • IN EVENT OF MOONE DISASTER
        • THE VILLAGE
        • THE HAPPIEST DAYS OF YOUR LIFE
        • GOD OF CARNAGE
        • A STREETCAR NAMED DESIRE
      • 2022/23 >
        • A CHRISTMAS CAROL
        • BRIEF ENCOUNTER
        • AFTER LIFE
    • SHORTS ARCHIVE >
      • Z IS FOR ZELDA
      • IN THE WHITE
      • SOMETHING SOMETHING
      • HORATIO
      • THE DUMB WAITER
      • BULL
      • THE NEW QUAY PROJECT
      • BE CAREFUL WHAT YOU WISH FOR
      • IN THE WHITE (2022)
    • EXTERNAL PROJECTS >
      • LANCASTER OFFSHOOTS >
        • BEATRIX POTTER'S PETER RABBIT AND OTHER TALES
        • HUNCHBACK
        • NEVERLAND
        • DR FAUSTUS 2010
        • SYMPATHY FOR THE DEVIL
        • DR FAUSTUS 2019
      • COLLAB
      • CHARITY SHOWCASES >
        • MOULIN ROUGE
        • CHICAGO
        • WICKED
        • BEAUTY AND THE BEAST
        • MAMMA MIA
        • GREASE
    • EXEC ARCHIVE
    • OSCARS ARCHIVE
    • SOCIALS ARCHIVE
    • LIFETIME MEMBERS
  • TUTORIALS
    • PROPOSING A SHOW
    • DIRECTING
    • PRODUCING
    • STAGE MANAGING
    • FRINGE
    • FAQ'S
  • Store
  • RESOURCES
  • Calendar