LUTG
  • Home
  • About
    • ANNOUNCEMENTS
    • MEMBERSHIP
    • MEET THE EXEC
  • SHOWS
  • ARCHIVE
    • SHOW ARCHIVE >
      • 2015/16 >
        • JUMPERS FOR GOALPOSTS
        • TOP GIRLS
        • THE GUT GIRLS
        • THE SHADOW BOX
        • CALLBACK
        • BLOOD BROTHERS
        • ONE MAN, TWO GUVNORS
        • ABIGAIL'S PARTY
        • THE ELEPHANT MAN
        • MY MOTHER SAID I NEVER SHOULD
        • MUCH ADO ABOUT NOTHING
        • ACCIDENTAL DEATH OF AN ANARCHIST
      • 2016/17 >
        • HOUSE WITH A RED DOOR
        • HIS FRIEND ED
        • PARADE
        • BLITHE SPIRIT
        • 1984
        • INCOGNITO
        • THE GLASS HOUSE
        • THE CRUCIBLE
        • SAUCY JACK AND THE SPACE VIXENS
        • PROOF
        • AND THEN THERE WERE NONE
        • THE DIARY OF ANNE FRANK
      • 2017/18 >
        • CHATROOM
        • THE HISTORY BOYS
        • ARCADIA
        • MACBETH
        • DIOGENES IN A JAR
        • SPRING AWAKENING
        • HERE
        • STATION
        • TWO
        • DUNSINANE
        • HOUND OF THE BASKERVILLES
        • THE 39 STEPS
      • 2018/19 >
        • LOVE FROM A STRANGER
        • JEKYLL & HYDE: THE MUSICAL
        • STOP!... THE PLAY
        • THE TEMPEST
        • CLICK
        • AN IDEAL HUSBAND
        • BREAKFAST AT TIFFANY'S
        • DINNER
        • GAMES AND AFTER LIVERPOOL
        • TWELFTH NIGHT
        • METAMORPHOSIS
      • 2019/20 >
        • KATHERINE HOWARD
        • THINGS I KNOW TO BE TRUE
        • FRANKENSTEIN
        • LEAR
        • DEALER'S CHOICE
        • THE WIND IN THE WILLOWS
        • HEDDA GABLER
      • 2021/22 >
        • THE GRAVEYARD SHIFT
        • PERFORMANCE SHOWCASE
        • WOYZECK
        • IN EVENT OF MOONE DISASTER
        • THE VILLAGE
        • THE HAPPIEST DAYS OF YOUR LIFE
        • GOD OF CARNAGE
        • A STREETCAR NAMED DESIRE
      • 2022/23 >
        • A CHRISTMAS CAROL
        • BRIEF ENCOUNTER
        • AFTER LIFE
    • SHORTS ARCHIVE >
      • Z IS FOR ZELDA
      • IN THE WHITE
      • SOMETHING SOMETHING
      • HORATIO
      • THE DUMB WAITER
      • BULL
      • THE NEW QUAY PROJECT
      • BE CAREFUL WHAT YOU WISH FOR
      • IN THE WHITE (2022)
    • EXTERNAL PROJECTS >
      • LANCASTER OFFSHOOTS >
        • BEATRIX POTTER'S PETER RABBIT AND OTHER TALES
        • HUNCHBACK
        • NEVERLAND
        • DR FAUSTUS 2010
        • SYMPATHY FOR THE DEVIL
        • DR FAUSTUS 2019
      • COLLAB
      • CHARITY SHOWCASES >
        • MOULIN ROUGE
        • CHICAGO
        • WICKED
        • BEAUTY AND THE BEAST
        • MAMMA MIA
        • GREASE
    • EXEC ARCHIVE
    • OSCARS ARCHIVE
    • SOCIALS ARCHIVE
    • LIFETIME MEMBERS
  • TUTORIALS
    • PROPOSING A SHOW
    • DIRECTING
    • PRODUCING
    • STAGE MANAGING
    • FRINGE
    • FAQ'S
  • Store
  • RESOURCES
  • Calendar
Saucy Jack and The Space Vixens was performed from the 5th-7th June in D2 Bar, Lancaster

Cast & Crew

Director: Shannon Lenton
Assistant Directors:
Katherine Dodds (Music)
Hannah Creamer (Choreography)
Producer: Lucy Unsworth
Assistant Producer:Emily Millington
Shadow Producer: Megan Stephens
Stage Manager: Abbie Cochrane
Assistant Stage Managers: 
Izzy Everatt (Make Up)
Megan Bowyer ( Costume)
Ffion King (Costume/Make up)
Emily Millard (Props/Set)
Josh Utting (Props/Set)
Matthew Man (Tech)
​
Saucy Jack: Vikton Histrov
Jubille Climax: Holly Gudgin
Bunny Lingus: Abigail Beaven
Anna Labia: Jess Turton
Chesty Prospects/Vulva Suvannah: Sarah Redford
Booby Shevalle: Jordan Summerfield
Sammy Sax: Freddie Evans
Willy von Whackoff: Naomi Chidambaram
Mitch Maypole: Thomas Wells
As the audience settle back for an evening of cosmic cabaret, all is not well at Saucy Jack’s... The evil shadow of a serial killer looms over the bar; cabaret acts are being killed off one by one, found stabbed by the heel of a sequinned slingback shoe.
The staff at the bar are terrified but their boss, Saucy Jack himself, doesn’t seem that bothered by the threat of murder or the tragic loss of his cabaret acts - he’s more concerned it’ll be bad for business.

We meet and hear the dreams and fears of some of the characters in the bar: down-trodden waitress Booby Shevalle, talented young saxophonist Sammy Sax, willing barman Mitch Maypole and eccentric regular at the bar, Dr. Willhelm von Whackoff.
There is much excitement at the explosive arrival of Chesty Prospects, a plastic smuggling outlaw: there's an eco-war going on in this part of the galaxy and fashionable fabrics like bubble-wrap have been made illegal. Chesty charms the bar, talks business with Jack and heralds the arrival of The Space Vixens who hit the ground singing their dance anthem 'Glitter Boots Saved My Life'

These super fashion crime fighters from a groovier galaxy are part celebrity, part super-hero: strong, sexy, liberated...and all woman! Their mission is to fight crime and liberate the universe harnessing the Power of Disco. The audience join these sassy space cops as they arrive on Frottage III to uncover the Slingback Killer and watch as they are drawn into a cosmic underworld where their unique powers promise justice, hope and unadulterated funk!
Picture

Publicity & Trailer

Rehearsal Photos

Performance

Review

Set in the intergalactic Frottage III, Saucy Jack and the Space Vixens is a science fiction musical set in the cabaret bar Saucy Jack’s, and centres around the mysterious murders of some of its acts.
The story line is simple and easy to follow, but the story is only part of Lancaster University Theatre Group’s latest venture. This production is more of an experience than just a show. From the moment we enter the venue we are involved in the experience; the production team (Lucy Unsworth, Emily Millington and Megan Stephens) offer us glitter, music blares out through the venue (D2) and specially made cocktails are available to purchase. This experience is what made the show so fun. Yes the story is quite simple, but the show is far from boring – think glitter, dancing and lots of clapping and cheers. Even the interval was filled with humour with Mitch Maypole (Thomas Wells) pulling people from the audience to take photos with the characters and keeping the audience entertained and involved with the fun.
If anything is the key to this production, it was fun and entertainment. I don’t think anyone will say it’s the best dancing they’ve seen, but that’s the humour of it and praise must go to Shannon Lenton (Director) and Hannah Creamer (Assistant Director, Dance) for their ability to choreograph routines that contained a wonderful balance of humour and skill, and if anything I think it’s hard to choose a favourite routine from the show! There were a few dance stumbles throughout the show, but the cast rescued these and in such a way that worked for the piece, so that they always remained in character in these moments.
In my opinion the cast’s strength was their work as an ensemble. The collective supported each other and created some wonderful harmonies throughout the piece, and my favourite parts were the songs in which the majority of the cast were involved as the glitz, glam and lights filled the space. This particularly became the case when the Space Vixens (Holly Gudgin, Abi Beaven and Jess Turton) entered the space, covered in flashing lights and signature glitter boots. The three worked well as a group, but also maintained strong individual characters and vocal performances. Beaven particularly impressed in Bunny’s Lament at the beginning of Act II, demonstrating strong vocals and a connection with the audience. The song and Beaven’s performance allowed for a more solemn moment while still allowing jovial ones.
The ensemble’s interaction with the audience also made the piece unique; throughout the songs and dialogue, we were involved. This varied from Viktor Hristov (Saucy Jack) singing directly to me, to Jordan Summerfield (Booby Shevalle) offering table service for drinks. Particular credit must go to Summerfield along with Wells and Naomi Chadambaram (Willy von Whackoff) for their constant awareness of and engagement with the audience; their side remarks and glances in our direction were incredibly funny and added to the enjoyment of the show.
The space was another brilliant part of the experience. D2 is a new venue for LUTG to perform in, and I think it was perfect for this show, as the space was tight and got very hot through the night, but a small price to pay to be in an actual bar for a piece about a cabaret bar. It was also nice to hear at the end of the night (at the after party that audiences of all three nights were invited to) the strong relationship the group had made with the venue and I sincerely hope they stage a piece suitable for the venue again.
Overall LUTG’s production of Saucy Jack and the Space Vixens was a lot of fun and definitely a night I enjoyed. It was something different to enjoy in Lancaster, catering both to frequent theatregoers and those who are more inclined to going out for a drink with friends. If you see Saucy Jack and the Space Vixens being produced anywhere I would highly recommend buying a ticket and I have no doubt you will enjoy the night.
​
- By Daisy Sheehan


Powered by Create your own unique website with customizable templates.
  • Home
  • About
    • ANNOUNCEMENTS
    • MEMBERSHIP
    • MEET THE EXEC
  • SHOWS
  • ARCHIVE
    • SHOW ARCHIVE >
      • 2015/16 >
        • JUMPERS FOR GOALPOSTS
        • TOP GIRLS
        • THE GUT GIRLS
        • THE SHADOW BOX
        • CALLBACK
        • BLOOD BROTHERS
        • ONE MAN, TWO GUVNORS
        • ABIGAIL'S PARTY
        • THE ELEPHANT MAN
        • MY MOTHER SAID I NEVER SHOULD
        • MUCH ADO ABOUT NOTHING
        • ACCIDENTAL DEATH OF AN ANARCHIST
      • 2016/17 >
        • HOUSE WITH A RED DOOR
        • HIS FRIEND ED
        • PARADE
        • BLITHE SPIRIT
        • 1984
        • INCOGNITO
        • THE GLASS HOUSE
        • THE CRUCIBLE
        • SAUCY JACK AND THE SPACE VIXENS
        • PROOF
        • AND THEN THERE WERE NONE
        • THE DIARY OF ANNE FRANK
      • 2017/18 >
        • CHATROOM
        • THE HISTORY BOYS
        • ARCADIA
        • MACBETH
        • DIOGENES IN A JAR
        • SPRING AWAKENING
        • HERE
        • STATION
        • TWO
        • DUNSINANE
        • HOUND OF THE BASKERVILLES
        • THE 39 STEPS
      • 2018/19 >
        • LOVE FROM A STRANGER
        • JEKYLL & HYDE: THE MUSICAL
        • STOP!... THE PLAY
        • THE TEMPEST
        • CLICK
        • AN IDEAL HUSBAND
        • BREAKFAST AT TIFFANY'S
        • DINNER
        • GAMES AND AFTER LIVERPOOL
        • TWELFTH NIGHT
        • METAMORPHOSIS
      • 2019/20 >
        • KATHERINE HOWARD
        • THINGS I KNOW TO BE TRUE
        • FRANKENSTEIN
        • LEAR
        • DEALER'S CHOICE
        • THE WIND IN THE WILLOWS
        • HEDDA GABLER
      • 2021/22 >
        • THE GRAVEYARD SHIFT
        • PERFORMANCE SHOWCASE
        • WOYZECK
        • IN EVENT OF MOONE DISASTER
        • THE VILLAGE
        • THE HAPPIEST DAYS OF YOUR LIFE
        • GOD OF CARNAGE
        • A STREETCAR NAMED DESIRE
      • 2022/23 >
        • A CHRISTMAS CAROL
        • BRIEF ENCOUNTER
        • AFTER LIFE
    • SHORTS ARCHIVE >
      • Z IS FOR ZELDA
      • IN THE WHITE
      • SOMETHING SOMETHING
      • HORATIO
      • THE DUMB WAITER
      • BULL
      • THE NEW QUAY PROJECT
      • BE CAREFUL WHAT YOU WISH FOR
      • IN THE WHITE (2022)
    • EXTERNAL PROJECTS >
      • LANCASTER OFFSHOOTS >
        • BEATRIX POTTER'S PETER RABBIT AND OTHER TALES
        • HUNCHBACK
        • NEVERLAND
        • DR FAUSTUS 2010
        • SYMPATHY FOR THE DEVIL
        • DR FAUSTUS 2019
      • COLLAB
      • CHARITY SHOWCASES >
        • MOULIN ROUGE
        • CHICAGO
        • WICKED
        • BEAUTY AND THE BEAST
        • MAMMA MIA
        • GREASE
    • EXEC ARCHIVE
    • OSCARS ARCHIVE
    • SOCIALS ARCHIVE
    • LIFETIME MEMBERS
  • TUTORIALS
    • PROPOSING A SHOW
    • DIRECTING
    • PRODUCING
    • STAGE MANAGING
    • FRINGE
    • FAQ'S
  • Store
  • RESOURCES
  • Calendar